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Ryoo Seung-beom
류승범
Korean Movie to be Remade in Hollywood
Korean film “Die Bad” directed by Ryu Seung-wan will be remade in Hollywood by Universal Studios. Released in 2000, “Die Bad” earned critical acclaim for director Ryu with its incomparable atmosphere and realistic action sequences. Composed of four short films – “Turf War,” “Nightmare,” “Modern Man,” and “Die Bad” - “Die Bad” was shot on a really tight budget and at first shown only in one theater. However, words about the ingenuity of the film quickly spread to grant it nationwide release. Actor Ryu Seung-beom, director Ryu’s younger brother, made his debut in this film about the meaning of violence in modern times. American entertainment journal Variety reported that Marc Forster is short-listed to direct the Hollywood version of “Die Bad.” Forster’s other accomplished works include “Finding Neverland” and “The Kite Runner.” His most recent work was the latest James Bond flick, “007 Quantum of Solace,” which won worldwide acclaim as one of the best James Bond movies ever. Also to join the production staff are screenwriter Brad Ingels and producer Roy Lee of Vertigo Entertainment, which specializes in Asian film remakes.
Ryu Seung-beom, Kim Ah-joong Cast in New Film '29 Years'
Actors Ryu Seung-beom and Kim Ah-joong have been cast in the new film "29 Years," based on a comic book by Kang Pul. Production company Cheongeoram said Ryu will take on the role of a macho scamp with a good heart while Kim will take on the role of a cool-headed shooting athlete. The title of the film, which will cover the course of 26 years starting from 1980, has been changed to "29 Years" as the release date of the film has been tentatively set for early next year. Byun Hee-bong will take on the role of "that person," the man responsible for an incident that took place 29 years ago, and Joo Min-mo will take on the role of chairman Kim Kap-seh, who will convict "that person." Other actors who have been cast in the film include Jin Ku, Hang Sang-jin, Ki Joo-bong and Cheon Ho-jin. Film director Lee Hae-young, who wrote and produced "Like A Virgin" wrote the script for "29 Years." The film shoot will begin next month.
Actor Ryu Seung-beom Volunteers in Thailand for 10 Days
Actor Ryu Seung-beom is in Thailand to help needy children. According to Plan Korea, an international children's charity organization, Ryu will visit Thailand from March 11 to March 19 with photographer Hong Jang-hyun. They will stay with a local family in Chiang Rai and help locals fix their furnaces, chicken cages and pigpens. They will also spend time with the local children, watching movies together and taking their photos. Ryu also plans to take part in the drinking water development construction project being organized by Plan Korea as well as participate in a special athletic meet for children. Plan Korea said prior to his departure for Thailand, Ryu told reporters that he planned to spend quality time with the Thai children and return with good memories.
Retro movies rediscover colonial era
Gyeongseong is emerging as a popular background for Korean films, reflecting the public's recent penchant for retro style, and filmmakers' newfound interest in the Japanese colonial period -- evidence of their quest for fresh characters and themes. During the Japanese colonial rule of the early 20th century, today's Seoul was called Gyeongseong. It was the very cultural center where tradition and Western modernity began to fuse. Four new films exemplify this dipping into the past -- "Once Upon a Time," "Radio Days," "Modern Boy" and "The Good, The Bad, The Weird," all of which come with high-profile directors and actors. Production houses are pinning their hopes on the success of this new breed of Gyeongseong films at a time when home-grown movies face an uphill battle against Hollywood blockbusters. In the past few decades, a host of filmmakers already used Gyeongseong as a historical setting -- but only superficially. In contrast, these upcoming films rely heavily on the cultural diversity of the period to create fantasy or induce retro feelings. "Once Upon a Time," directed by Jeong Yong-gi and financed by SK Telecom's new film division, revolves around a hilarious treasure hunt in the 1940s, and features repartee between con artists, Japanese military officers and independence fighters. The movie begins with a top Japanese soldier finally obtaining the long-sought-after "Light of the East," a legendary diamond believed to have been placed in the forehead of the monumental statue of the Buddha inside the Seokguram Grotto in Kyungju. The great diamond is said to have mysterious power, but what's more important for thieves and con artists is its gigantic size. Bong-gu (Park Yong-woo), a self-styled master of fraud and forgery, does not lose any time getting prepared to steal the diamond shortly before it is shipped to Japan. But he has a competitor, Chun-ja (Lee Bo-young), a jazz singer who rules the night of Gyeongseong as a masked thief. With the retro costumes, furniture and houses evoking the era of budding modernity in Korea, "Once Upon a Time" rightly appropriately quickens its storytelling pace in a style that is rare in Korean comic movies. Particularly impressive are the solid performances of the leading characters. Park demonstrates his versatility in switching between comic and action sequences, while Lee shows off her charm as a seductress who cares more about her dream than the hard times all around her. Also notable in this film that's due to be released on Jan. 31 is the show-stealing slapstick acts by the two prominent sidekicks played by Seong Dong-il and Cho Hee-bong. Scheduled to hit the theaters on the same day is "Radio Days," set in the 1930s when Korea got it first radio station. The movie does not focus on the gloomy historical facts related to the Japanese rule; instead, it highlights the romanticism of the period, typified by the launching of a Korean-language radio station. A young radio station manager, Lloyd (Ryoo Seung-beom), undertakes a live drama series which is commissioned by the Japanese rulers. The main voice actors in this show are not professionals. A jazz musician, a courtesan and even a clueless office clerk are invited to perform in the drama, and the scripts are largely ignored, as the actors resort to liberal ad-libbing. Despite the shoddy production quality, the radio show becomes a huge hit. This movie pokes fun at the broadcasting practices of the time, as well as at Japanese rule. Director Jung Ji-woo's "Modern Boy" also belongs to the retro category that takes full advantage of the vibrant days of Korea, despite the suffocating control by Japan. Park Hae-il and Kim Hye-soo have joined the project set in the 1930s, with newly-introduced Western culture including cafes, coffee, and department stores featured prominently. Although background of "The Good, The Bad, The Weird" not Gyeongseong, this one fits in the category, insofar as it's set in the 1930s. The place is Manchuria, and this Oriental western-style movie stands out with its star-studded cast. Well-known Korean Wave stars Lee Byung-hun, Song Kang-ho and Jung Woo-sung play exotic roles -- a bandit, a train robber and a bounty hunter -- and expectations are rising concerning this big-budget flick which will be released during the summer vacation season.
Family, History Surface in `Underground’
With the two Korean leaders slated to meet for talks in late August, the release of the heartfelt drama ``Underground Rendez-vous'' is most timely. Free of political commentaries, the film celebrates universal values of love with a delightfully c....
[MOVIE REVIEW]Unification theme mixed with small town comedy
![[MOVIE REVIEW]Unification theme mixed with small town comedy](/kmovie_news/thumbnail/070808_Meeting_thumb.jpg)
A remote village nestled near the heavily fortified border that divides South and North Korea is not a popular place. But "Mannamui Gwangjang (Meeting Square)," a film set in the 1980s and directed by Kim Jong-jin, attempts to make it at least a mean....
