HomeActor/ActressChoi Ik-hwan
Choi Ik-hwan
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New technological step in Korean animation
After Ryoo Seung-wan's "The City of Violence" (Jjakpae) and Park Chan-wook's "I'm a Cyborg, But That's OK" (Cyborgjiman Gwaenjanha), "Life is Cool" (Geunyeoneun Yeppeotta, English translation: "She was beautiful") will be the next instalment of CJ Entertainment's HD Project, and the first Korean animation film using the technique rotoscoping. With this procedure, live-action film is being traced by animators frame by frame. Kim Soo-ro ("Vampire Cop Ricky"/Heuphyeol Hyeongsa Nadoyeol), and television actress Park Ye-jin are among the actors involved in the project. Choi Ik-hwan directs this tale about three distinct male friends who fall out with each other when they all fall for the same woman. Rotoscoping opens new doors in filmmaking. One of the benefits is that it makes facial expressions more realistic than other forms of animation. The animation technique was also used for A Scanner Darkly, starring Keanu Reeves, and the music video Take on Me by A-ha. Also, the procedure is easy on the budget as animators can creatively come up with the background instead of expensive sets or locations. CJ Entertainment's HD Project intends to explore cost-efficient and innovative new digital techniques, and also involves leading directors; its latest project, "Life is Cool", will be released on June 12.
Rotoscoped Film Shows Life in '4D'
Director Choe Ik-hwan (``Whispering Corridors 4: Voice'') brings ``Life Is Cool,'' South Korea's first rotoscoped film. In this HD film project by CJ Entertainment, local production company DNA, which whipped up animation and graphics for ``The Animatrix,'' creates hip visuals for a friendly love story. Rotoscoping is a process in which animators trace over a live action sequence, frame by frame. It goes beyond computer-generated imagery for larger than life effects. By utilizing what's only possible in animation, it gives 3D action added dimension ― it's tech savvy and digital but breathes life into the film. ``Life'' took only a month of actual shooting but almost two years and 140 artists for rotoscoping. One may wonder, why go through the trouble, as leading lady Park Ye-jin said. The director said he was inspired by ``Waking Life,'' a rotoscoped film that captures human life despite being digital. The movie takes advantage of the beauty of animation, which enables ``cameos'' like the recently burnt down national treasure Soongnyemun and Hollywood star Jennifer Aniston. ``Life'' is fresh. As an animation, the constrained palette and simple silhouettes are markedly distinct from American or Japanese animations. While the subject matter ― complicated affairs of the heart ― is nothing new, its narrative approach is novel as it takes a ``4D'' look into life and love by delving deep into the male psyche. In a press preview last week, Choe told reporters he was in trouble because the plot was inspired by a friend's actual story. It's basically about three best friends falling for the same woman and traces the respective dating styles of a goofy playboy, reckless Romeo and hopeless romantic. In the movie, casting is key in establishing believable and amiable characters. Funny man Kim Su-ro draws laughs with his lax demeanor and ad lib-ridden lines as Il-gwon, a womanizing Ph.D student searching for the perfect wife. Kang Seo-jin capitalizes on his gentleman image as Tae-yeong, a disheartened teacher who violently refuses to forget his first love. Comedian Kim Jin-su transforms his hearty laughter and beefy physique to play Seong-hun, the big guy with the sensitive heart who cooks like a veteran housewife while dreaming about the woman of his dreams. Il-gwon turns his suave playboy tactics into top gear as he contemplates between two perspective wives, a rich but silly young woman or a beautiful but poor and sickly one. Our conniving playboy slowly falls in love with the latter, Yeon-u. However, things get complicated when she turns out to be Tae-yeong's ex-girlfriend he never got over and the very manifestation of Seong-hun's dream girl. What could have stopped short of being a lighthearted romantic comedy gains added depth through sophisticated character development and layered narrative. The characters have flaws, tics and talents that are annoying and endearing, and they reflect different degrees of people we know. ``Life'' paints a portrait of urban life in Korea, as young men weep about careers, love, sex and friendships over a glass of soju or splash around like schoolboys in a public bath ― in the latter scene, ``overexposures'' were conveniently solved by rotoscoping. This is a seriously funny animation for adults that will make you crave a round of drinks with old buddies.
